Charles Giuliano
E-Mail: Charles.Giuliano@GTE.Net

Personal
Born, October, 25, 1940, Brooklyn, New York
Married to Astrid Hiemer

Education
Boston University, M.A. American Art and Architecture, 1978, Completed Doctoral course work and exams
Institute of Fine Arts, New York University, Fall, 1966, courses in Ancient Egypt
Brandeis University, B.A., with Honors in Fine Arts, 1963
Boston Latin School, 1959

Memberships
International Society of Art Critics
National Arts Club, New York City

Teaching Positions
New England School of Art & Design at Suffolk University, Instructor, and director of exhibitions, since 1978
University of Massachusetts/ Lowell, adjunct, since 1990
Boston University, Metropolitan College, adjunct, since 1990
Framingham State College, adjunct, since 1991
Salem State College, adjunct, 1989- 1994
University of Massachusetts/ Boston, adjunct, 1991
Clark University, adjunct, 1988-1990
Massachusetts College of Art, adjunct, 1984-1986
Cambridge Center for Adult Education, 1976-1988

Publications, selected
Maverick Arts, Publisher/Editor, founded September, 2000
NYartsmagazine, on line and in print, since 2000
Citysearch, on line magazine, art critic, 1999
Boston Sidewalk, (Microsoft), art critic, 1997- 1999
Art New England, contributing editor, since 1982
ARTnews, correspondent, since 1983
Arts Media, 1997-2000
Improper Bostonian, columnist, 1993- 1996
The Paper, The Current, Newburyport, 1986- 1992
International Journal of Art, correspondent, 1988-1990
The Patriot Ledger, Quincy, Mass., art critic, 1978-1990
The Boston Ledger, art and music critic, 1975-1982
Boston Review of the Arts, art critic, 1984-1986
Nightfall Magazine, editor, 1974-1975
Boston Herald Traveler, staff music critic, 1969-1971
Boston Phoenix, contributor, 1971-1976
Boston After Dark (later Phoenix) staff art critic, 1968-1969
The Boston Sunday Globe Magazine, contributor, 1968-1969
Broadside/ Free Press, Cambridge, contributor, 1968- 1970`
The Avatar, Boston, contributor, 1967, managing editor, 1968
Arts Magazine, contributor, 1967-1968
The 57th Street Review, New York, contributor, 1967-1968
The Justice, Brandeis University, 1962-1963

Broadcast Media, Selected
Smoki Bacon and Dick Concannon Show, Boston Cable Television, guest appearance, July, 1999
Greater Boston Arts, Segment on MFA, Monet exhibition, WGBH-TV, PBS, 1998
Springfield Art Museum, A half hour, video documentary on the history of the museum, produced by Florentine Films, 1998
Claude Monet in the 20th Century, an hour long documentary, produced by British Broadcast Corporation, (BBC), aired January, 1999 in U.K.
Music America, Frequent Guest, hosted by Ron Della Chiesa, WGBH-FM, 1980s

Grants and Awards
The Nan Foundation, for excellence in Art Criticism, 1997, 1987
Government of Quebec, research travel grants: 1998, 1994, 1993, 1992, 1991, 1990, 1989, 1988
The People's Republic of China, Shanghai, 1997, for curatorial participation in exhibition by Debora Mache and Anke Erlenhoff
Austrian Cultural Institute, curatorial travel to Vienna, 1993
Museum voor Hedendaagse Kunst, Utrecht, Holland, and Indigo Inc, for curatorial research and catalogue for exhibition by Peter Diem, 1992
Rockefeller Foundation, project completion, for feature article in the Boston Review of the Arts, 1986
Samuel H. Kress Foundation, through Boston University, 1975
Boston University, Teaching Fellowship, 1975-1977
Brandeis University, Edgar V. M. Gilbert Award in Fine Arts, 1963.

Work Experience
Loeb Drama Center, Harvard University, Concession Manager, 1974-1976
East Hampton Gallery, New York City, Assistant Director, 1967-1968
Spectrum Gallery, New York City, Director, 1966-1967
Boston Museum of Fine Arts, Department of Egyptian Art, Intern 1964-1966

Director of Exhibitions, New England School of Art & Design, Selected

2001
Elspeth Halverson, Tabitha Vevers, Tony Vevers, Family Values, Curated by Dan Ranalli, January-February, reviewed by the Bostonb Globe
Wayne Andersen, Small Works, Catalogue, March
Linda Ray, May-June
Space Oddity 2001, guest curated by James Manning, July August
Paul Andrade, September
2000
Randal Thurston, Silhouettes, January- February, Reviewed by Arts Media
Thaddeus Beal, David Moore, Martin Mugar, Bill Thompson, Irene Valincius, Picture Perfect, February-March, Reviewed by Arts Media
10x10x10, Qomen’s crit group, Reviewed Boston Globe, May-June
Star Search 2000, July-August
Thomas Yamamoto, September
Raphael Mahdavi, Sight Unseen, Article, Ad Lib, Catalogue, review Boston Globe, with the French Library, October
Susan Baker, review, Boston Globe, November
Faculty Group Show, December
1999
Sleeping Beauty, group show curated by Tom Grabosky, December-January
Reviewed, Boston Globe, by Cate McQuaid, and Art New England
Debra Weisberg, Sculpture, November Reviewed, Boston Globe
Dana Salvo, Domestic Devotion, October
Lydia Martin, Realism Paintings, September
Laura Chasman, Genre Portraits, July-August, reviewed by Cate McQuaid for the Boston Globe
Raeford Liles, Collages, June, reviewed by the Chronicle of the Back Bay and Beacon Hill, July, 1999
Judith Aronson, Faces, May
Debora Mache, Signs and Symbols, February-March
Hat Dance: The Artist as Critic, and Curator January-February
1998
Mauricio Cordero: Repetition, Works on Paper, December
Paul Bowen, Recent Sculpture, concurrent with Howard Yezerski Gallery, Nov.
Reviewed by Cate McQuaid, for the Boston Globe, and by Anne Wilson Lloyd, for Sculpture Magazine, April, 1999
James Aponovich, Paintings and the Complete Lithographs, Oct. Reviewed by 
The Boston Advocate
Karl Eigsti, Transforming Words into Theatrical Imagery, Sept. Reviewed by
Cate McQuaid, The Boston Globe
The Kingston Gallery, Members' Invitational, Summer, reviewed by, Raymond 
Liddell, The Tab
Steve Novick, Recent Sculpture, June, Reviewed by Mary Sherman, the Boston 
Herald
Be Still Dear Art, Still Life, group show, May
Ric Haynes, Recent Paintings, March
Melvin Wiseman, A Retrospective, February
1997
Ilona Anderson, Recent Paintings, December
Alumni Exhibition, Graphic Design and Broadcasting, with First Expressions, Nov.
Art of the Beat Generation, in Conjunction with, Lowell Celebrates Kerouac, the Whistler House, Lowell, and Brush Gallery, Lowell, Oct. Reviewed by the Boston Globe and other publications
Al Columbro, Interior Design Retrospective, September
Alexandra Roszeman, Paintings, Summer, reviewed by Art New England
Women in Photography, held in conjunction with the conference on Women
in Photography, June
Pham Luc, Paintings, work from Vietnam presented in cooperation with the 
Joiner Center at the University of Massachusetts, Boston, traveled to the
Brush Gallery, Lowell where it was reviewed by the Boston Globe, May
North Bennet Street School, Bookbinding, March
Ellen Banks, Spiritual Measures, lecture in conjunction with Florence Ladd at
The Bunting Institute, Radcliffe College, reviewed by Cate McQuaid for the Boston Globe, later appeared on year end Best of the Season list, Boston Globe, February
Vico Fabbris, Botanical Fantasies, January
1996
Memento Mori, group show, reviewed by Cate McQuaid for the Boston Globe, November 
Appilleras: Tapestries from Chile, Guest Curated by Marjorie Agosin. October
Susan Nichter, Recent Paintings, September
Glass Art Conference, Group Show, June
North Bennet Street School, Furniture, April
Otto Piene, Recent Paintings, presented with the Center for Advanced Visual
Studies at MIT and the Goethe Institute, Boston
Women's Conference on Art, New England Regional Women of Color, On the occasion of the annual meeting of the College Art Association, February
Alumni, January
1995
Audrey Goldstein and Santiago Vaca, Relief Sculpture and Wall Drawing Nov. 
Off the Wall What a Relief, co presented with Creiger Dane Gallery, reviewed by the Boston Globe, guest curated at the invitation of the director of exhibitions, Addison Parks, Spring.

Independent Curator and Essayist, Selected
Debora Mache, Zhu Qi Zhan Museum, Shanghai, China, catalogue, translated into English/Chinese and German, 1997.
Aftermath: Two Women Reflect on War, Erika Cohen and Susan Erony, Maverick Arts, East Boston, 1995.
Gender in Three Dimensions, essay for exhibition of Holography by Harriet Casdin. Silver, catalogue, Gallery Naga, Boston, 1995
Raeford Liles, essays for exhibitions, E. M. Donohue Gallery, New York, 1999, 1997, 1995 and 1993.
George Kirchner, Recent Paintings, Innsbruck Kunsthalle, Austria, 1994
Jennifer Amadeo-Holl, Palimpsesto, Cultural Institute of Monte Carmelo, Santiago, Chile, essay, 1994.
Robert Ferrandini, East Boston: The Early Years, Maverick Arts, 1994
Kay Devant and Linda Ray, The Further Adventures of Thelma and Louise, Maverick Arts, 1994
Dys 'N' Dat, Absinthe Gallery, Boston, 1993
Elisabeth Rosenblum, Naming is Knowing, Naming is Murder, Gallery Naga, 1992
Al Ford, Recent Paintings, catalogue, Equus Gallery, Boston, 1992
Peter Diem, Smarmy Cows with Kissable Lips, Museum voor Hedendaagse Kunst, Utrecht, Holland, catalogue, 1992
Gerold Hirn, Recent Paintings, Austrian artist, catalogue, Levinson Kane Gallery, 1991
The Object Found Observed Imagined, Fitchburg Art Museum, 1991
Links Missing and Found, artists from France, Great Britain, Iceland and US, Newton Arts Center, essay, 1990
Karl Knaths, A Provincetown Artist Reconsidered, Boston University Art Gallery, 1990. Essay published in Provincetown Arts Magazine, summer, 1989
Melvin Wiseman, Retrospective, Boston University Art Gallery, catalogue essay, published 1990.
Subjective Abstraction, Montserrat College of Art, Westfield State College, Boston College Art Gallery, catalogue, 1989-1990.
Michael Russo, Recent Paintings, Massachusetts College of Art, essay, 1989
Here's Looking At You: Contemporary New England Portraits, Montserrat College of Art, Westfield State College, Northeastern University, Catalogue, 1987-1988.
Lester Johnson: 1970-1986, organized by Westmoreland Museum of Art, Pennsylvania, catalogue, traveled 1986-1987.
The Beautiful, the Sublime, the Picturesque: Contemporary New England Landscapes, essay, Provincetown Arts Magazine, Summer 1987, The Newton Arts Center.
Space from Inner to Outer, Boston College Art Gallery, essay, 1986.
Benny Andrews, Emilio Cruz, Earl Pilgrim, Bob Thompson, Kind of Blue, Provincetown Art Association and Museum, Northeastern University, Essay, Provincetown Arts Magazine, Summer, 1987.
All That Jazz, Boston Visual Artists' Union, 1986.
Homage, catalogue, Danforth Museum of Art, 1981.
Images: Realism in Contemporary New England Art, Boston City Hall, curated with Andrew C. Hyde for the Institute of Contemporary Art, 1969.
Arnold Trachtman, Protest Paintings, Institute of Contemporary Art, essay, 1969.
The Visionaries, first exhibition of psychedelic art used as the basis for the book.
Psychedelic Art, by E. L. Masters and Jean Houston, Grove Press, 1968.
Exhibition at East Hampton Gallery, New York, 1967, major reviews in the Village Voice, New York Post and other publications.

Exhibiting Artist
Inside Out: Photographic collages of landscapes and interiors, Glen Urquhart School, Beverly, Massachusetts, October 1999-January 2000
Invitational, a year long, juried installation for the Suffolk University Law School, August 1999 to August 2000
Hatdance: The Critic, Curator and Gallerist as Artist, New England School of Art & Design, December-January, 1998-1999 
Artcetera, AIDS benefit auction, illustrated work in catalogue, Five Bridges.
Amsterdam, acquired by Peter Sonnabend for Sonesta Hotels. 1998
Alumni Exhibition, curated by Carl Belz and Susan Stoops, Brandeis University Spingold Theatre, 1998
Group Show, Art Vigor Gallery, East Boston, 1998
Incidental Grandeur, curated by Carole Anne Meehan, Boston Center For the Arts, 1997
Violent Nature, curated by Addison Parks, Gallery 28, 1994
First Anniversary, Equus Gallery, Boston, 1993
Landscapes: Bartnick, Giuliano and Zaig, Equus Gallery, 1992
Landscape as Metaphor, Westfield State College, 1992
New England Photography '92, Danforth Museum of Art, 1992
Selections from the Permanent Collection, Rose Art Museum, 1992
Portrait Photographs, exhibited Cambridge Center for Adult Education, Cornucopia, Boston, the Grog, Newburyport, 1987-1988
New England School of Art & Design, one man shows: Transvedute, 1991, My Egypt, 1990, Big Shots, 1987, Recent Photographs, 1985, Paintings and Photographs, 1983
Likenesses, curated by Francine Koslow Miller, Art Institute of Boston, 1990
Exposed/Expose, one man show, Akin Gallery, Boston, 1988
Faces, Wet Gallery, Boston, 1988
Contemporary Art of the Commonwealth: Photography, Offices of Edward Markey, Dem. Chelsea, Washington, D.C. traveled to 20th Century Gallery, Boston, 1987.
A Generation of Brandeis Artists, curated by Carl Belz, Rose Art Museum, 1971
Salon '70 and Salon '71, Warde Nasse Gallery, Boston 1970, 1971
Four Socially Conscious Artists, University of Nebraska, 1970
History of Jazz, 50 large format water colors commissioned for the collection of the Sonesta Hotel, New Orleans, 1969
Recent Paintings, one man show, Dorothea Weeden Gallery, Boston, 1969
Group Show, curated by Marcia Tucker, New York, Max’s Kansas City, 1967
Group Show, Brata Gallery, New York, 1967, 1968
Recent Paintings, one man show, Swetsoff Gallery, Cambridge, 1966
Recent Paintings, one man show, Hoffman/Youngaus Gallery, 1963

Collections, Selected
Addison Gallery of American Art
Boston Museum of Fine Arts, a collection of restorations of Old Kingdom
Egyptian stone vessels
Boston Public Library
Danforth Museum of Art
Glen Urquhart School
Hood Museum of Art
Provincetown Art Association and Museum
Rose Art Museum
Moshe Safdie and Associates
Sonnabend Collection Hotels, New Orleans, Amsterdam

Site Specific Works
Rudolph Giuliani, Art Censor, Charles Giuliano, Art Critic, Nov., 1999
Reign in Spain, Barcelona, Madrid, Toledo, 1995
Pink Flamingoes, Palm Beach, 1992
Coolin' Off in Dusseldorf, Holland and Germany, 1992
Au Palm Beach, 1991
Iron Curtain Call, Vienna, Prague, Berlin, 1991
Miami Vice, 1990
D See, Washington, 1990
London Britches, 1990
Chicago Mojo, 1990
My Egypt, New England School of Art Gallery, 1990
Paris Blues, 1990
Palm Beach Peace, 1989

Archives
Archives of American Art, audio interview materials, donated 1980s.
Photo, slide and documents, covering art, music and personal papers fill 32 file cabinet drawers.
Extensive research library of reference materials, exhibition catalogues and monographs on modern and contemporary artists.