College
Writing 112 Syllabus
Critiquing
Culture and Media: Personal and Academic Essays
Teacher: Bridget Marshall E-mail: bmarshal@english.umass.edu
Required Text: Lunsford and ConnorsÕ The Everyday
Writer
Class
Meetings: Tuesday /
Thursday 11:15 am to 12:30 pm Herter 222
Office Hours:
Thursdays 12:30 to 2:30 (between classes) and by appointment
Office
Location: Bartlett 262; mailbox in the hallway
outside room 305
This class
operates on the idea that we are all writers. While some of you may not particularly enjoy writing, it is
still a very necessary part of your education. Writing will not only help you get through school, but it
will be immeasurably useful beyond school, in whatever profession you choose. Keeping in mind the idea that you will all
have many kinds of writing to do throughout your academic career and beyond,
here are my goals for this class:
1)
Teach you a
few of the basic forms of writing that you will use during your college career
and beyond
2)
Show you
how writing multiple drafts and collaboration with peers improves your writing
3)
Help you to
edit your work so that it looks and sounds polished and professional
4)
Engage you
in topics that will interest you and show you how to use writing as a way to
develop, explore, and express your thinking on a subject
To meet these
and other ends, there are six major essays for this class, each with multiple
drafts. In addition to writing and
revising these essays, we will be publishing them in class magazines. It is my hope that publishing the essays
will also help to achieve the ends I have outlined above, providing you with
extra incentive to write interesting, insightful, and well-edited essays. Rather than being assignments written
for me, your teacher, these essays are an opportunity to express yourself and
to think critically about a variety of topics. Outlined below are the general topics/forms weÕll use for
the essay assignments.
#1 Toys:
Personal Narrative and
Analysis
#2 Advertisement
Analysis: Engaging with
a published advertisement
#3 Text-Wrestling: Reading, discussing and responding to a written text
#4 Documented:
Open Topic, supplementing your knowledge with research
#5 Argument:
Choosing an issue and a side, making an argument
#6
Self-Analysis:
Reviewing and critiquing your writing and work
Most of these
Essays will involve four drafts: an Exploratory Draft, a Mid-Process Draft, a
Concluding Revision and a Publication Version. I have explained the requirements for each draft in the
handout, ÒThe Multiple Draft Process.Ó
In addition to these six essays, we will be doing a lot of other
writing. This includes in-class
writing prompts (which may or may not develop into an essay), a journal,
letters to each other and to me, and other sorts of smaller in-class writing
assignments. In other words, get
your word-processor fired up, come to class with pens and paper, and be
prepared to write!
Class Requirements: Pay close attention to this section; it
contains the very basic requirements for passing this class.
á
Attendance
is required. You can fail the
course for not attending class, even if you do all the writing. You are given two ÒFreebies,Ó no
questions asked. For every class
beyond those two that you miss, your final grade for the class will be lowered
half a grade. (I.e., if you have an ÒAÓ for the class, but have missed 4
classes, you will receive a ÒBÓ for your final grade.) Also included in your attendance are
your conferences with me. There
are three scheduled conferences that you MUST attend. I usually cancel at least one, often both classes, during
conference week. If you miss a
conference, it counts as two absences.
You should also be prepared for your conference, bringing your journal
and any work that is assigned for that week.
á
Complete
the six major essays, including multiple drafts and other writings associated
with them. Assignments are due at the beginning of class unless otherwise
noted. When you arrive in class,
you should be ready to hand in a draft, or to work with it in a peer response
group. The process of Òcompleting
six major essaysÕ also includes revising them. Revising is not an option; it is
required. The four-draft process
does not mean that you write a bad essay and then fix your typos; always write
your best. Substantial revision is part of your grade. I will look at your drafts to see that
you have expanded and refined your writing through the process. In order for me to see this, you must save
every draft. When you turn in a final essay, you
should also include all drafts, notes, peer response, etc. associated with that
essay.
á
Also in the
process of Òcompleting the six major essays,Ó you will be required to share
your writing and respond to the writing of your peers. We do this to stress the point that you
are not just writing for a teacher or for a grade; we are writing for a
community of writers. We will read
our work aloud to each other, read each otherÕs papers, and publish our essays
in class anthologies. Become
comfortable with sharing your writing; this is a necessary step in improving
your writing and becoming part of the academic community.
á
Class
participation is required. This
includes working in small groups to both give and receive peer feedback, as
well as being actively involved in group or class discussions. Actively pay attention to your peersÕ
writing and comments, and contribute your own thoughts. Included in class participation are two
required class-presentation assignments.
Everyone must provide at least one journal prompt and explain one
grammar point on an assigned day.
Details of these assignments are explained in the handout ÒClass
Participation Presentations.Ó
á
Remember
that it is your responsibility to keep track of things. By Òthings,Ó I mean drafts of essays
that have a tendency to get lost in computers or dorm rooms, assignments from
class days that you missed, and class work that hasnÕt been submitted. I keep track of everything that is
turned in. If you are unsure if
you have any late or outstanding assignments, you can certainly ask me;
however, I will not chase you down begging you to turn something in.
á
Keep a
journal. I expect you to write at
least three pages (81/2
X 11-sized, or equivalent in smaller notebooks) each week.
We will be doing some of this writing in class, but you will probably
need to do at least some of the journal-writing at home. Bring your journal to class EVERY
DAY. We will have journal writing
at some point during every class in order to help you meet the journal
requirement. I will check your
journals to see that you are keeping up with them at each conference, however,
I will not ever collect or keep your journal, or require you to share a journal
entry with your peers. Journals are a space for your private writing. The purpose of the journal is to give
you a space for private writing, and to help you make writing a habit. While you may end up getting an essay
idea from a journal entry, the journal is not a place for drafts of essays, or
for your calculus homework. Your
journal should be a bound notebook of some sort (no loose-leaf, please) that
you keep separate from your class notes.
Please have your journal by the third class meeting.
á Publishing in and participating in the
creation of class magazines is required. These magazines will become the ÒtextÓ
for the class. Extensive group
work and cooperation will be required in order to keep up with the
publications, but I think you will find them to be a fun and rewarding project. YouÕll be seeing your name (and your
classmateÕs names) in print, and thinking about your essays as more than just
something you turn in to your teacher for a grade; these are essays for your
peers to read and discuss. I donÕt
want you to write what you think a writing teacher wants to read; I want you to
write interesting, exciting essays that reach beyond the scope of our
classroom. We will discuss the
magazine requirements in more depth as the semester proceeds. In any case, you will be required to
publish your essays, as well as to participate in the editing of group
magazines for each major essay assignment. If you have one particularly
personal essay, we can discuss an alternate plan; please see me if you have a
serious concern regarding publishing your essay.
á There is no final exam. You must attend
the final conference and submit your final essay (Self-Analysis) and shorter
end-of-semester writings in order to pass the class.
á
You will
receive ÒchecksÓ or ÒzeroesÓ for First, Mid-process, and Concluding Revisions,
as well as for peer responses and other in-class or take-home work.
Occasionally, I record a Òcheck plusÓ for a particularly outstanding effort on
a draft or small assignment. If
you donÕt have a draft on the day it is due, or your draft seems seriously
lacking in effort, you will receive a zero for the assignment.
á
For the
final draft of each essay, I will complete an evaluation sheet that will detail
the strengths and weaknesses of your paper on a grid. Most essays will have a possible 50 points; longer or
shorter assignments may vary in point value. This final ÒnumberÓ will be recorded, but it is NOT the only
indication of your grade; completing drafts, class work, and peer work is also
included in the tabulation of your final grade. Please keep in mind that every draft counts; your final
grade for the course will include all checks, zeroes, and number grades.
á
Magazine
publications will also be evaluated.
There will be various requirements for each magazine and the group as a
whole will be responsible for making sure that the publication is in proper
format and submitted on the due date.
Due to the time required for printing the publications, late
publications can seriously delay assignments and classwork. Please be extra careful to observe the
publication due dates so that we can stay on schedule!
á
Please keep
in mind the attendance policy (already detailed in the ÒRequirementsÓ section
above). Extensive absence is the
leading causes of poor grades in College Writing. Your final grade is reduced by a half grade (i.e., an A goes
to an A/B, an A/B becomes a B) for every absence beyond three (3). Extensive, excessive, or habitual
lateness can also be considered an absence.
á
If you miss
class, you should send your assignment to class with a peer or leave it in my
mailbox (located outside the Writing Program Office on the third floor of
Bartlett). When you return to
class, you are responsible for having the assignment due on that day, as well
as any work you missed on previous days.
Consult the syllabus, contact a friend in the class, or send me an
e-mail in order to find out what will be due on the day you return to
class. If you know in advance that
you are going to miss class, I highly recommend that you let me know this so
that you can keep up with the work.
á
If you have
a concern about an individual essay grade or a question about your standing in
the class, I am quite happy to talk with you. This type of conversation is best suited to an individual
conference. You can see me at your
regular conference, drop by my office hours, or schedule an appointment at
another time.
á
A final
word on the unpleasant part of grades, specifically the bad ones: I hope that all my students will strive
to do their best work in this course, but if you are determined to do only the
minimal amount of work and get the minimum passing grade, you might want to
know what the bottom line is. This
much is nonnegotiable: you are not eligible for a passing grade of D unless you
have attended at least 11 of 14 weeks worth of classes, and completed 90% of
the assignments. I hope this is never
a consideration or concern for any of you, but I did want to put it in writing.
Below
you will find a preliminary outline for the semester. Please note that what weÕll do in class is subject to
change. As a general rule, we will
stick with the ÒwhatÕs due for classÓ items. If there are radical changes to the syllabus, I will issue a
new one. If you miss a class, you
are still responsible for what was due on the day(s) you missed and on the day
you return, so ALWAYS consult the syllabus (or a classmate, or me) if you have
missed or will miss a class.
Please
note that each dayÕs class will consist of two standard features. These are 1) the five-to-ten minute
free-writing session, with a prompt provided by one of your classmates, and 2)
a five-minute grammar presentation by one of your classmates. You will each sign up to do one of
these during the semester.
|
WhatÕs Due for this class |
What weÕll (probably) do in class |
Thursday 27
January |
N/a |
Welcome to 112 Exploratory
Draft of Essay #1 |
Tuesday 1
February |
Mid-Process
Draft of Essay #1 |
Peer response
on your mid-process drafts Distribute
Syllabus |
Thursday 3
February |
Reactions to
Peer Response Syllabus
Response |
Return
Mid-Process Drafts Discussion
& Writing for Essay #2 |
Tuesday 8
February |
Concluding
Revision of Essay #1 |
Peer Editing Magazine Group
Work |
Thursday 10
February |
Publication
Version of Essay #1 Bring
a Magazine advertisement to class (or more than one) |
Process Letter
about Essay #1; Magazine Group
Work Exploratory
Draft of Essay #2 |
Tuesday 15
February |
Your
advertisement Mid-Process
Draft Essay #2 |
Discussion Peer Response |
Thursday 17
February Conference |
NO
CLASS: Bring your mid-process draft to your scheduled conference |
|
Tuesday 22
February |
Concluding
Revision of Essay #2 |
Peer Editing
and Magazine Work Preliminary
work for Essay #3 |
Thursday 24
February |
Publication
Version of Essay #2 Process Letter
about Essay #2 |
Magazine work Distribute
articles for Essay #3 |
Tuesday 29
February |
Read articles Notes and
response to readings |
Discussion of
readings Exploratory
Draft Essay #3 |
Thursday 2
March |
Mid-process
draft of Essay #3 |
Peer Response Documented
Essay Topic Discussion |
Tuesday 7
March |
Library Day: Have a topic for
your documented essay
|
Class will
meet in the library |
Thursday 9
March |
Concluding
Revision of Essay #3 |
Peer Editing Magazine Work |
|
WhatÕs Due for this class |
What weÕll do in class |
March 11 Ð
March 19 |
SPRING BREAK |
|
Tuesday 21
March |
Publication
Version of Essay #3 Process Letter Documented
Essay Topic |
Magazine Work Discussion /
beginning of Essay #4 (Documented Essay) |
Thursday 23
March |
Preliminary
Research Plan |
Citation
Exercises |
Tuesday 28
March |
Exploratory
Draft of Essay #4 |
Peer Response,
classwork on draft development, documentation |
Thursday 30
March |
Research
Report |
Discussion of
sources, Practice with citation and quotation |
Tuesday 4
April Conferences |
NO CLASS: Bring your Mid-Process Draft of
Essay #4 and all
Documented Essay materials |
Meet
outside of class with at least two classmates and complete the peer response
packet |
Thursday
6 April Conferences |
NO CLASS: Bring your Mid-Process Draft of
Essay #4 and all
Documented Essay materials |
|
Tuesday 11
April |
Complete Peer
Response Packet Bring most
recent draft and all source material to class |
Fact-Checker Assignment
Brainstorming
for Essay #5 |
Thursday 13
April |
Concluding
Revision |
Peer Editing Exploratory
Drafting for Essay #5 |
Tuesday 18
April |
Publication
Version of Essay #4 |
Expanding
Essay #5 Elements of an
Argument Essay |
Thursday 20
April |
Mid-Process
Draft of Essay #5 |
Peer Response |
Tuesday 25
April |
No class
(MONDAY SCHEDULE) |
No class
(MONDAY SCHEDULE) |
Thursday 27
April |
Mid-Process
Draft II (with revisions from peer response) |
Stations of
Revision Group work |
Tuesday 2 May |
Concluding
Draft of Essay #5 |
Peer Editing Magazine Group
Work |
Thursday 4 May |
Publication
Version of Essay #5 |
Magazine Group
Work Exploratory
Draft of Essay #6 |
Tuesday 9 May |
Mid-Process
Draft of Essay #6 |
Peer Response
on portfolios |
Thursday 11
May |
Your
mini-portfolio for publication |
Last Day of
Class Stuff |
May 13th
Ð 19th |
Final
Conference: Journal check, letter to my future students, Concluding Draft of
Essay #6 |
Discussion of
the semesterÕs work and final evaluation |