The
Gothic Tradition in Literature
Spring
2011 Syllabus
Dr.
Bridget Marshall, University of Massachusetts, Lowell
Class
Meetings: Mondays and Wednesdays 12:30 – 1:45
Office
Hours: Due to construction on the 4th floor of O’Leary,
I’ll need to make appointments to meet with students. Please talk to me
before or after class, or e-mail me to set up a time and place to meet. I
am typically available in our classroom both before and after class for quick
questions.
Phone: 978.934.4179 E-mail: bridget_marshall@uml.edu Website:http://faculty.uml.edu/bmarshall/
“The
oldest and strongest emotion of mankind is fear.” -- H.P. Lovecraft
Our course will explore how texts exploit this oldest
and strongest emotion through well-known tropes of terror; haunted houses,
monsters, ghosts, ghouls, madmen, madwomen, specters, vampires, werewolves, and
a wide variety of other creepy, mysterious, and dark things will fill our
semester’s texts. This course will
consider works that fall under the very broad genre known as “The Gothic.” As this genre is one of highly
contested boundaries, we will consider how to define the Gothic, and what
exactly constitutes this form. Our
six major novels are from both England and America, and span the late 18th to the 20th century. Our study will primarily focus on the form of the novel, with some
readings from other Gothic documents, such as poetry, short stories, and
essays. We will also read critical
excerpts that have helped to define the genre in literary studies.
This is a 300-level English course with an ambitious
reading list and several major writing assignments; you will need to keep up
with the readings and be prepared for every class meeting. Take a look at your schedule and make
sure that you have time to read a high volume of pages. If you can’t commit to the reading,
this is not the class for you.
"
To
become familiar with the history of the gothic genre, and its place in literary
and cultural history
"
To
make connections between the historical genre and modern day manifestations of
it
"
To
develop skills of close and careful reading
"
To
enhance discussion skills by participating in classroom discussion
"
To
practice reading on one’s own by choosing one book outside of the syllabus
"
To
improve presentation skills with an end-of semester paper presentation
"
To
develop writing and research skills through developing a final paper
Instructional
Resources and Disability Accommodations:
The Centers for Learning and Academic Support Services
provide many resources, including tutoring in writing:
http://class.uml.edu/. In
accordance with University policy and the ADA, I will provide accommodation for
students with documented disabilities. If you have a disability, please contact the Office of Disability
Services as soon as possible. Please note that their office has moved to NORTH campus, Cumnock Hall
C6, phone: 978-934-4574, e-mail: Disability@uml.edu. This documentation is
confidential.
A note
on classroom conduct:
In this class, and in all classes at the University of Massachusetts,
Lowell, students are expected to exhibit professional and respectful behavior
that is conducive to a mutually beneficial learning environment in the
classroom. Examples
of inappropriate behavior include: text messaging, listening to music, cell
phone use (other than the campus alert system), late arrivals, early
departures, use of laptops for other than class purposes, disrespectful
comments or behavior, intentional disruptions, failure to follow faculty
directives. Students in violation of these standards may be asked to leave
class and/or be referred to the Dean of Students for disciplinary action.
University
Cancellation Line: 978-934-2121
Attendance is required. This is not a correspondence course. You can fail the course for not
attending class. You have two (2)
“free” absences to use as you need. For every class beyond those two that you miss, your final grade for the
class will be lowered one grade step. (I.e., if you have a “B” for the class, but have missed 4 classes, you
will receive a “C+” for your final grade.) Excessive or habitual lateness can also count as an absence.
Good classroom citizenship is required. Good classroom citizenship goes beyond
just “participation” in the sense of raising your hand a lot. It includes sharing your thoughts and
actively listening to the thoughts and comments of your peers. Please be considerate of your
classmates and make the classroom a space where everyone can speak their
mind. We will have both full-class
discussions and small group work. If you are not particularly comfortable speaking in the full-class discussion,
be sure you are making up for it in the smaller group discussions. Also, as a courtesy to everyone in the
room, please turn off your cell phone before class begins. If you must eat or drink during class,
please be respectful of those around you, and of those who come after you by
cleaning up after yourself.
There is a (sometimes quite long) reading assignment
due every day. You must keep up with the reading (and writing)
assignments. I reserve the right
to give reading quizzes as necessary to prod your reading, though I would
rather not resort to such ploys.
·
Four “One-pagers”: One-third of the class will
have a one-pager due on most days. One-pagers include at least one quote from the text and also questions
– either for clarification or discussion. See the handout for more details on the requirements for the
one-pagers.
·
Two short (4 page) papers. These short papers will be close
readings of two different scenes and will rely upon your careful reading of
passages from the text; they do not require outside research. They are, however, formal papers,
unlike the one-pagers described above. More details: see assignment handout
·
One in-class essay exam.
·
Read one gothic novel not included on the
syllabus. More on this later.
·
Create a presentation for the last week of
class on your chosen novel. Your
presentation will be about 5 minutes long, and you must have a handout to share
with the rest of the class. The
presentation is a chance to share your ideas for the final paper and teach
others in the class about a text outside of the regular reading list.
·
Write a Final Paper (8 pages) on one gothic
novel not on the syllabus. You should read the novel and connect it to the
history of the gothic as we have explored it in the course. This paper is not a plot summary; it
should focus on an analysis of the novel, including how it fits into the larger
genre of the gothic.
Breakdown of points
for the final grade:
Classroom Citizenship: 15%
One-pagers: 10%
Paper 1: 15%
Paper 2: 20%
Exam: 20%
Final Project (paper & presentation): 20%
Final grade ranges:
A: 94 – 100
A-: 90 – 93
B+: 87 – 89
B: 83 – 86
B-: 80 – 82
C+: 77 – 79
C: 73 - 76
C-: 70 - 72
D: 61 – 69………….F: 60 & below
Please keep in mind the attendance policy (already
detailed in the “Requirements” section above). Absenteeism is the leading cause of poor grades in my
courses. Excellent attendance and participation will have a positive effect on
your grade, particularly if you end up on a “borderline” between two grades.
You are responsible for completing all readings on the
date they are due. It’s fairly
easy to see who has and who hasn’t done the reading assignments (whether
through quiz performance or by observing class participation). Completing the readings is part of your
job as a member of our class. Your
completion of the reading assignments, scores on quizzes, short take-home
assignments, and in-class writing assignments, along with my evaluation of your
participation in classroom discussion and activities, will be included in the
“Classroom Citizenship” portion of your grade.
When I return papers and exams, they will indicate a
number (points you earned out of total points possible for the assignment),
which you can translate into a percentage and/or a grade. I record only the number in my book
until the final grade tabulation. I also look favorably on improvement over the course of the semester.
If you have a concern about a grade or your standing
in the class, I am quite happy to talk with you. This type of conversation is best suited to an individual
conference. Please e-mail to
schedule an appointment.
Please note: if you
are determined to do only the minimal amount of work and get the minimum
passing grade, this much is nonnegotiable:
you are not eligible for a passing grade of D unless you have attended at least
11 of 14 weeks worth of classes, and completed 90% of the assignments.
All University policies on academic dishonesty apply
to all assignments in this course. The information below comes from the
University’s official policy, which can be found online:
http://www.uml.edu/catalog/undergraduate/policies/academic_dishonesty.htm
Academic dishonesty includes but is not limited to:
·
Cheating - use, or attempted use, of
trickery, artifice, deception, breach of confidence, fraud, or
misrepresentation of one's academic work.
·
Fabrication - falsification or
invention of any information or citation in any academic exercise.
·
Plagiarism - representing the
words or ideas of another as one's own work in any academic exercise.
·
Facilitating dishonesty -
helping or attempting to help another commit an act of academic dishonesty, including
substituting for another in an examination, misrepresenting oneself, or
allowing others to represent as their own one's papers, reports, or academic
works.
If you plagiarize or
cheat on an assignment in this course, you will receive an “F” for this course,
and you are subject to other discipline (including expulsion from the
University) at the discretion of the instructor and the University. Please keep
in mind that even if you write some part or even “most” of the paper, if some
portion of the paper is copied from another source without proper attribution,
(i.e., if you “only plagiarize a little”) you will still get an “F” for the
course. Don’t plagiarize at all.
Unintentional plagiarism is still plagiarism. You must cite all sources that you use,
including online sources. Also,
remember that “using” a source includes DIRECTLY QUOTING, PARAPHRASING, AND
USING IDEAS from any source. There
is nothing wrong with “getting help” from other writers, just be sure to
acknowledge it by using quotation marks or author/page citation
appropriately. Please take the
time to give proper credit to the work of other authors. It is a matter of respect – for
yourself, for other authors, for your classmates, and for me.
I know that it is easy to find information and indeed
whole papers on the internet. You
should know that it is also easy for me to find these sources. If I suspect you’ve done this, I will
take the time to find the source, and there is every likelihood you will be
caught. Please don’t waste your
time or mine by plagiarizing a paper. If you’re having difficulty with a writing assignment, please talk to me
before the day it is due.
Horace Walpole: The
Castle of Otranto
Dover Thrift Edition $2.50
ISBN-10: 0486434125
ISBN-13: 978-0486434124
Matthew Lewis: The
Monk
Dover Thrift Edition $3.50
ISBN-10: 0486432149
ISBN-13: 978-0486432144
Charles Brockden Brown: Edgar Huntly
Penguin Classics: $11.95
ISBN-10:
0140390626
ISBN-13:
978-0140390629
Mary Shelley: Frankenstein
Bantam Classic: $4.95
ISBN-10: 0553212478
ISBN-13: 978-0553212471
Robert L. Stevenson: Jekyll and Hyde
Bantam Classics $3.95
ISBN-10: 055321277X
ISBN-13: 978-0553212778
Henry James: The
Turn of the Screw
Dover Thrift Editions $1.50
ISBN-10: 0486266842
ISBN-13: 978-0486266848
PLUS
one additional novel of your choice (further info TBA).
There are numerous editions of many of these books; I
have tried to order the cheapest editions available. If you already own
an alternate edition, or you find another cheap edition, you can continue to
use it. However, please make sure that your edition is UNABRIDGED (there
are many shortened, edited, and expurgated versions of these books out
there).
If you miss a class, you are still responsible for what
was due on the day(s) you missed and on the day you return. If the University closes, upon return
to class, the items for both the missed class and the day of return class are
due. In the case of an exam or
paper due on a day the University closes, the exam or paper is due on the day
we return to class. Please e-mail
me if you have questions about assignments due for missed classes.
Page numbers listed in brackets indicate the page
numbers in the version of the text that I ordered for the class.
Date
|
Due in class (reading completed)
|
Monday 24 January
|
First Day of Class Introductions and such
|
Wednesday 26 January
|
The
Castle of Otranto: Intro, Chapters 1 & 2 (inclusive)
[pages 1 – 61]
|
Monday 31 January
|
The
Castle of Otranto: Chapter 3 – end [pages 61 –
106]
One-pager: Group 1
|
Wednesday 2 February
|
The
Monk: Volume I Chapters 1 and 2 [pages 1 -58]
One-pager: Group 2
|
Monday 7 February
|
The
Monk: Volume I Chapter 3 through all of Volume II [pages
58 – 183]
One-pager: Group 3
|
Wednesday 9 February
|
The
Monk: Volume III Chapters 1 and 2 [pages 183 –
225]
One-pager: Group 1
|
Monday 14 February
|
The
Monk: Volume III to the end [pages 225 – 291]
One-pager: Group 2
|
Wednesday 16 February
|
Selection of critical articles (handouts)
|
Monday 21 February
|
UNIVERSITY
CLOSED TODAY
|
Wednesday 23 February
|
First paper due
[also: start reading Edgar Huntly – it’s long!]
|
Date
|
Due in class (reading completed)
|
Monday 28 February
|
Edgar
Huntly: beginning through chapter 13 (inclusive) [pages 1
– 132]
One-pager: Group 3
|
Wednesday 2 March
|
Edgar
Huntly: Chapter 14 – 18 (inclusive) [pages 133
– 183]
One-pager: Group 1
|
Monday 7 March
|
Edgar
Huntly: Chapter 19 through end [pages 184 – 285]
One-pager: Group 2
|
Wednesday 9 March
|
Frankenstein Author’s Introduction and Preface
xxiii - xxx and Letters 1- 4, Chapter 1 – 7 (inclusive) [pages 1 - 67]
|
March 14/16
|
No Class: Spring Break
|
Monday 21 March
|
Frankenstein Chapter 8 – end [pages 68 – 213]
One-pager: Group 3
|
Wednesday 23 March
|
Selection of critical excerpts (handouts)
|
Monday 28 March
|
Jekyll
and Hyde: beginning – “Incident at the Window”
(inclusive) [pages 1 – 40]
One-pager: Group 1
|
Wednesday 30 March
|
Jekyll
and Hyde: “The Last Night” – end [pages 41 – 84]
One-pager: Group 2
|
Monday 4 April
|
Other Gothic Documents: Short Stories & Essays
(handouts)
|
Wednesday 6 April
|
Other Gothic Documents: Poetry (handouts)
|
Monday 11 April
|
Second Short Paper Due today
In class: meet with your group for exam review
presentations
|
Wednesday 13 April
|
Exam review with small group presentations on our major
novels
|
Monday 18 April
|
UNIVERSITY
CLOSED FOR PATRIOT’S DAY
|
Wednesday 20 April
|
In-Class EXAM Today
|
Monday 25 April
|
The
Turn of the Screw: Chapters 1- 9 (inclusive) [pages 1 –
40]
One-pager: Group 3
|
Wednesday 27 April
|
The
Turn of the Screw: Chapters 12 – end [pages 49 –
87]
|
Monday 2
May
|
Final Project Presentations
|
Wednesday 4 May
|
More Presentations
|
Monday 9
May
|
Last Day of Class: Remaining Presentations &
other wrap-up
|
Monday 16 May
|
Final Project Paper Due
|
General
Advice & Information:
Come to class prepared to work. This means several things:
1) You should have completed the assigned readings,
and any associated writing. You
might even have notes in your book, underlining of passages, or page markers
for interesting spots in the reading.
2) You should be prepared to listen and talk in
discussion. This means you
shouldn’t come to our class and take a nap, or sit sullenly, or complete your
calculus homework.
3) You should avoid distractions during class. Distractions include things like small
pets, cell phones and text messaging devices, notes to classmates, i-pods, personal
robot assistants, or any other gadget that will engage your brain in something
other than the academic discussion in the classroom. While you may think I don’t notice, I do, and so do your
classmates. It’s distracting for
you, but also for those around you.
When you don’t come to class (for whatever reason) it
is your responsibility to find out the work that was missed, including any
handouts, in-class activities, or changes to the syllabus. If you can do this via e-mail before
the next class meeting, that’s great. If you can’t, you should definitely come speak with me before class,
after class, or in my office hours. In any case, don’t try to avoid me, hoping that
I didn’t notice you were absent. I
definitely noticed. Like a gothic
villain, I am always paying attention to your every move. Well, not really, but I was wondering
if anyone was actually going to read the syllabus this closely all the way to
the end. But seriously, if you’ve
missed a class, see me to get any missed materials.
If you need extra time for an assignment, for whatever
reason, it is better to ask early. I do not automatically give extensions; however, I am a reasonable
person, and you should ask for help or time if you need it. An “extension” is something you ask for
BEFORE a paper is due. When you
ask for extra time on the day a paper is due (or in the days after it was due),
that is called “late.” Late papers
are subject to a grade reduction at my discretion, and I do not provide
comments on late papers.
A
special warning regarding the Gothic:
The reading assignments for this course are long,
partly because this is an upper-level English course, but also due to the
nature of Gothic novels (which, as you will soon learn, tend towards the thick
side!). If you cannot commit to
reading the assignments, please drop the course. While the assignments are long and may make you miserable,
you (and your classmates, and your professor) will be much more miserable if
you stay in the class and can’t keep up with the assignments. If this semester is a heavy load for
you (either in your other courses or your personal life), take a close look at
the syllabus and the book list; you might want to consider another class. If you’re just here because you like
scary stories, you might be better off in a 200-level course such as “The
Horror Story,” where I (and other professors too) teach similar texts but at a less crazy pace.